Peter Nicholls (1936 - 2021)

+64 021.453.418:: thelab@fe29.com

As It Is On Earth' (2010)
Swamp Kauri with carved Totara
& steel Kiwi
(created from 5000 yr old Kauri
log and reflecting the history of
the burnt out log and protesting
the destruction of the massive
North Island Native forests and
resulting loss of native birds)
As It Is On Earth Web Page s
Body Arch (1983)
Oiled Matai elements connected by
tongue and groove, each column
twisting on itself, opposed at right
angles and connected by a keystone
(Matai from demolished ODT building
under First Church)
2060 (H) x 1100 (W) x 1000 (D) mm
Arch Web Page 2s
Rhapsody (2007)
Photograph on board (3 pieces)
1000 (H) x 3700 (L)
(Photograph of installation work completed
for Nine Dragons festival, South Korea)
Rhapsody a Web Page 21s
Locked (2004)
Stained Totara, stainless steel
and auger
1820 (H) x 3600 x 2200mm
(protesting drilling for fossil fuels)
Locked Web Page 2s
Fern Bird (2011)
Irish Yew
1920 x 930 x 285 mm
Ferm Bird 1s
Tree of Three Fruits (2013)
Irish Yew
1500 x 1200 x 900 mm
Tree of Three Fruits Web Pages 1as
Landscape No. 2 (1991)
Forged steel
185 x 55 x 460 mm
Gallery collection
Landscape II Web Page 1s
Shards of Conflict (2007
Mild steel
(3 remaining)
Shards of Conflict 1s
Musa (2002)
Manganese steel, stainless steel
& tanalised pine
Private collection
Musa 3 Web Pages 2s
Pump (1978)
Heart Totara & steel
(Maquette for Counterpoise, commissioned
for the Muttart Conservatory,
Edmonton Canada
Private collection
Pump 1s
Filtering Shadows (1991)
Forged Steel
Private collections
190826 PN Filtering Shadows a Web Page
Permutation (1980)
Australian Hardwood, leather & steel
Private collection
190826 PN Permutation a Web Pages
Bridge Before
Private collection
Bridge Before 1s
Interloper
Swamp Kauri and Aluminium
Last work remaining in this series
Synthesis Series 1s

Fe29 has represented Peter Nicholls since early 2016. The Gallery held Nicholls final solo exhibition in late 2019, and as a result, placed the majority of the works in the exhibition. 

Nicholls was born in Whanganui, educated at Elam school of Art Auckland and gained a Masters in Sculpture at the University of Wisconsin (Superior) USA. His sculptures from the 1970’s and 1980’s are noted for their amalgam of figural, landscape and architectural abstraction, and energised dynamics in large timber works. Tectonic and universal rather than site specific. From 1990 his work became laterally configured, river hugging and site/place specific, often interrogating historic impositions of order on primal land. Nicholls has numerous large-scale works in private and public collections internationally.

Solo shows – 32 since 1972 – New Zealand, USA

Group shows – New Zealand, South Korea, Australia

Public collections – USA, Australia, New Zealand

Major public commission works – New Zealand, Canada

  • New Lynn, Auckland – JUNCTION, 2009.
  • Manukau City Pacific Event Centre – FRANGIPANI LEI, 2006
  • Dunedin, Custom House harbour development – TOROA (1999)
  • Auckland – Aurora, Central Park Penrose – MAMAKU (1988)
  • Dunedin – University of Otago – BRIDGE (1985)
  • Auckland – University of Auckland – MEASURE (1981)
  • City of Edmonton, Alberta, Canada – COUNTERPOISE (1978)

Major private commissions

  • Connells Bay sculpture park, Waiheke Island, John Gow – TOMO (2005)
  • Allan Gibbs Farm, North Auckland – RAKAIA (1996/7)
  • Private collection, Auckland, Luff (1988/9)

Works held in Public Art Galleries

  • Te Papa, Wellington
  • Auckland City Art Gallery
  • Dunedin Public Art Gallery
  • Manawatu Art Gallery, Palmerston North
  • Sarjeant Art Gallery, Whanganui
  • Christchurch Art Gallery
  • Southland, Invercargill
  • Eastern Southland, Gore
  • Dowse Art Gallery (Lower Hutt)

Bibliography: Wystan Curnow, Michael Dunn, David Eggleton, Cassandra Fusco, Hamish Keith, Peter Leach, Alexa Johnson, Bridie Lonie, Priscilla Pitts, Ian  Wedde and others,