Hamish Horsley - Maquettes

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Nava (2020)
Bronze (edition of 10)
110 x 215 x 90 mm
200819 HH Maquettes - Nava
Avatar (1997) No. 1/10
Bronze maquette
270 x 135 x 81 mm
(original Portland limestone
1450 x 600 x 550 mm, UK)
200907 HH Maquettes - Avatar 3
Shard (2020)
Bronze, No. 1/10
180 x 130 x 60 mm
200819 HH Maquettes - Shard
Fragmentation (1998)
Bronze, No. 1/10
185 x 100 x 65 mm
200907 HH Maquettes - Fragment
Circular Form (2019)
Bronze, No. 2/10
120 x 140 x 40 mm
200907 HH Maquettes - Circular Form 2
Stele (1998)
Bronze, No. 1/10
190 x 110 x 50 mm
200819 HH Maquettes - Stele 3
Song Bird (2005) No. 1/10
Bronze Maquette
135 x 60 x 35 mm
(original Bath stone
550 x 260 x 180 cm, London, UK)
200819 HH Maquettes - Song Bird
Rising Sea (2011) No. 1/10
Bronze maquette
285 x 165 x 70 mm
(original Vietnamese granite
5000 x 200 x 300 mm) Ninh Thuan, Vietnam)
200819 HH Maquettes - Rising Sea

Born and raised in Whanganui, Hamish Horsley was based in London for over 30 years, working as a professional artist and teacher. He built an impressive reputation with many significant and often monumental public art commissions and private projects. Foremost of these are The Way in Durham, UK and the widely acclaimed Tibetan Peace Garden situated outside the Imperial War Museum, London.His works are found throughout the UK, Northern Europe, the Middle East and more recently India, Vietnam and Thailand.

Maquettes provides us with a timeline of the artist’s exploration of themes and imagery over the past 20 years. With a continuing focus on environmental harmony and the nature of form and design. Horsley continually adapts the patterns and rhythms occurring naturally in the elements and earth formations. Beginning with small sketches and a lump of clay, Horsley works his way into his projects, finding the immediacy and flexibility in the clay an ideal way to develop sculptural images. These are further progressed in his monumental stone carvings. The clay ‘sketches’ remain both as reference points in his working process and as sculptures in their own right. These intimate works, cast in bronze for this exhibition, mark time and place.