Christine Hellyar - SCULPTURE

+64 021.453.418:: thelab@fe29.com

Found Ferns II (2022)
Bronze, 1100 x 250mm
(detail - left , full image - right)
Found Ferns 2 2022 bronze 1100 x 250
Found Ferns I (2022)
Bronze, 250 x 1100
Found Ferns 1 2022 bronze 250 x 1100
Found Ferns I (2022), detail
Found Ferns 1 2022 bronze 250 x 1100 detail
Kava Kawakawa bronze
Small Lookout bronze
Large Lookout bronze
Octopus lead on flint
Hopeless Hook VII (2015)
Bronze Punga & Poplar elements
with silk tassles on wooden box
345 x 200 x 130 mm
200908 Hopeless Hooks 7
Hopeless Hook VI (2015)
Bronze Punga & Poplar elements
with silk tassles on wooden box
245 x 240 x 130 mm
200908 Hopeless Hooks 6a
Hopeless Hook V (2015)
Bronze Punga & Poplar elements
with silk tassles on wooden box
280 x 385 x 145 mm
200908 Hopeless Hooks 5a
Hopeless Hook IV (2015)
Bronze Punga & Poplar elements
with silk tassles on wooden box
295 x 470 x 150 mm
200908 Hopeless Hooks 4a
Hopeless Hook III (2015)
Bronze Punga & Poplar elements
with silk tassles on wooden box
295 x 470 x 150 mm
200908 Hopeless Hooks 3
Hopeless Hook II (2015)
Bronze Punga & Poplar elements
with silk tassles on wooden box
600 x 260 x 180 mm
200908 Hopeless Hooks 2
Hopeless Hook I (2015)
Bronze Punga & Poplar elements
with silk tassles on wooden box
405 x 485 x 200 mm
200908 Hopeless Hooks 1

 

Christine Hellyar was born in 1947 in New Plymouth. She completed a Diploma in Fine Arts (Hons) at the Elam School of Art in 1970. Working in both sculpture and installation, Hellyar’s work incorporates a wide range of materials, from found natural items such as grass and stones, to clay, fabric and plaster, latex, lead and bronze for casting.

Over the years, consistent themes in Hellyar’s work have included ‘her celebration of the environment, her interest in people’s interaction with nature, the validation of the domestic and a questioning of traditional gender roles’.

In 1981, Hellyar took up a part-time teaching position at Elam, School of Fine Arts, University of Auckland where she remained until 1996, when she left to work full time in her studio. During this time, she was awarded the first Adam Award for her significant contribution to New Zealand Art. This afforded her the opportunity to complete her first large outdoor bronzes.

Hellyar won the Department of Conservation residency (Mount Taranaki) in 2003 and in 2005 she participated in the Tylee Cottage Residency at Whanganui’s Sarjeant Gallery. In 2009 she won the McConnell Properties Stoneleigh Sculpture Award and in 2011 she was the resident botanic artist at the Auckland Botanic Gardens.

Exhibiting consistently in New Zealand and internationally since the 1970s, Hellyar’s work has been included in major exhibitions including the 1982 Biennale of SydneyWhen Art Hits The Headlines (National Art Gallery, Wellington 1987); NZXI (Auckland City Art Gallery, Art Gallery of New South Wales, Sydney, and Contemporary Art Institute, Brisbane, 1988); Three from NZ (Long Beach Museum of Art, Los Angeles, 1990); Headlands (MCA, Sydney, 1992); and Treasures of the Underworld (New Zealand Pavilion at the 1992 Seville Expo, Amsterdam and various New Zealand venues, 1992 to 1994).

Hellyar’s work is held in most New Zealand public collections, including the Auckland Art Gallery, Govett-Brewster Art Gallery, Museum of New Zealand Te Papa Tongarewa and the Christchurch Art Gallery. She was an active member of the New Zealand Society of Sculptors and Painters and is now an active member of “Outdoor Sculpture 2001” which celebrated the new millennium by installing eight new permanent sculptures in the Auckland Domain.

In a career spanning 50 years, with shows in Australia, the USA, England, Holland, Spain, Hungary, Japan, Korea and Singapore, Hellyar has made and exhibited over 750 sculptures, 15 large installations and countless paintings, drawings and photographs. She now works mainly in fibre for indoor sculpture, and bronze for outdoor sculpture. Her 2D work is in a wide range of media.