LOOKING BACK

+64 021.453.418:: thelab@fe29.com

191027b GdL Looking Back Web Page
Looking Back
Ceramic Tile (framed)
191027a GdL Looking Back Work Web Page
Last Tree Standing
Ceramic tile (framed)
191027 GdL Last Tree Standing Web Page
You Must Understand (2015)
Ceramic painting (framed)
Tile 150 x 300 mm
Framed 305 (W) x 455 (H) x 55 (D)
191104 GdL You Must Understand Web Page
Love in a Thicket (2015)
Ceramic painting (framed)
Tile 285 (W) x 300 (H)
Framed 440 (W) x 455 (H) x 55 (D)
191104 GdL Love in a Thicket Web Page
Beyond The Trees
Ceramic painting (framed)
Tile 220 (W) x 248 (H) mm
Framed 395 (W) x 430 (H) x 32 (D)
191104 GdL Beyond the Trees Web Page
Blue Boots
Ceramic painting (framed)
Tile 300 (W) x 282 (H)
Framed 455 (W) x 440 (H) x 55 (D)
191104 GdL Blue Boots Web Page
She's Overdressed
Ceramic painting (framed)
Tile 300 (W) x 282 (H)
Framed 455 (W) x 440 (H) x 55 (D)
191104 GdL She
Reclining Nude 1
Ceramic painting (framed)
Tile 245 x 245 mm
Framed 280 (W) x 280 (H) x 25(D)
191104 GdL Reclining Nude 1 Web Page
Reclining Nude 2
Ceramic painting (framed)
Tile 245 x 245 mm
Framed 280 (W) x 280 (H) x 25(D)
191104 GdL Reclining Nude 2 Web Page
Dejeuner du Marseillan
Ceramic painting (framed)
Tile 245 x 245 mm
Framed 375 (W) x 375 (H) x 25 (D)
191104 GdL Dejeuner du Marsaillan Web Page
Give Him a Break (2006)
Ceramic tile (framed)
Tile 300 x 300 mm
Framed 530 (W) x 530 (H) x 18 (D)
191104 GdL Give Him a Break Web Page
On The Belvedere
Ceramic painting (framed)
Tile 300 x 300 mm
Framed 530 (W) x 530 (H) x 18 (D)
191104 GdL On the Belvedere Web Page
Who Knows The Answer (framed)
Tile 250 (W) x 255 (H)
Framed 545 (W) x 555 (H) x 32 (D)
191104 GdL Who Knows the Answer Web Page
Call Off Your Dogs (2007)
Ceramic painting (framed)
Tile 300 x 300 mm
Framed 545 (W) x 555 (H) x 32 (D)
191104 GdL Call Off Your Dogs Web Page
The Way Home
Ceramic painting (framed)
Tile 300 (W) x 282 (H)
Framed 545 (W) x 555 (H) x 32 (D)
191104 GdL The Way Home Web Page
Waiting For Their Return
Ceramic painting (framed)
Tile 300 (W) x 282 (H)
Framed 545 (W) x 555 (H) x 32 (D)
191104 GdL Waiting for Their Return Web Page
This Way Home
Ceramic painting (framed)
Tile 300 x 305mm
Framed 430 (W) x 430 (H) x 24 (D)
191104 GdL 15 Web Page
Shared Experiences (2006)
Ceramic painting (framed)
Tile 300 x 300 mm
Framed 550 (W) x 560 (H) x 32 (D)
191104 GdL Shared Experiences Web Page
The Carefree Days of Summer
Ceramic painting (framed)
Tile 300 x 300 mm
Framed 550 (W) x 560 (H) x 32 (D)
191027 GdL The Carefree Days of Summer Web Page
Untitled
Ceramic Painting (framed)
Tile 300 x 300 mm
Framed 550 W x 560 H x 32 D mm
191104 GdL 13 Pisa Web Page
Untitled
Ceramic painting (framed)
Tile 300 x 300 mm
Framed 550 (W) x 560 (H) x 32 (D)
191104 GdL Australia 1 Web Page
Untitled
Ceramic painting (framed)
Tile 300 x 300 mm
Framed 550 (W) x 560 (H) x 32 (D)
191104 GdL Australia 2 Web Page
Can You Remember (2015)
Ceramic painting (framed)
Tile 285 x 300 mm
Framed 440 (W) x 455 (H) x 55 (D)
191104 GdL Can You Remember Web Page

Gennie de Lange commenced art studies at the Wellington Polytechnic 1958-1960. She furthered her studies in pottery at the Hammersmith School of Art, London 1963-1964 and worked at the Chelsea Pottery in London 1965-1967. In 1980 she undertook post-graduate studies at the Middlesex School of Art.

Since her first group show, at the New York World Fair in 1967, de Lange has continued to exhibit widely throughout New Zealand in both dealer and public art galleries including The Suter (Nelson), The Sarjeant (Whanganui), The Dowse (Upper Hutt) and Govett-Brewster (New Plymouth).

Her work has also been exhibited in England, France and Switzerland, and is in both public and private art collections including the Auckland Museum, The James Wallace Collection and the Waikato and Christchurch art galleries.

de Lange is best known for her ceramic paintings created using a unique glazing technique developed over some 40 years. Working on unglazed terracotta, she paints many layers of glazes. The tones and colours (matte pastels before firing) are completely transformed after three days in the kiln. Some glazes are transparent, while others opaque. All are difficult to apply evenly and some react unfavourably when applied near others. Through endless experimentation, de Lange has discovered how to handle these to their greatest advantage.

Looking Back is de Lange’s first exhibition in 4 years and may well be her last. Stopping work in ceramics 5 years ago, after suitable earthenware tiles and glazes became almost unobtainable, the works on show are from her private collection. There is a very painterly feel to the works and the glaze effects are rich, luminous and complex, with a jewel-like quality.

The works included in the slideshow above are just a few of the 22 available for sale in this exhibition. Other images will be added closer to the exhibition opening.