Robert Macdonald - Linocuts & Woocuts

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The Death of Manu Rau (1989)
No. 10 of 50, signed & titled
Linocut
710 x 855 mm (framed)
Death of Manu Rau Framed 820 x 670 linocut 1s
Manu Rau Forest Birds (201)
Unique, signed, titled & dated
Composite linocut
445 x 600 mm (image)
575 x 765 mm (paper)
Manu Rau Forest Birds 2010 composite 1s
Rewi at Orakau (1988)
Unique, signed & titled
Composite linocut on paper
Mounted on hand made paper
465 x 320 mm (image)
745 x 555 mm (paper)
Rewi at Orakau 1988 signed composite 4s
The Nova Scotians (2011)
Unique, signed & titled
Composite linocut
450 x 605 mm (image)
575 x 765 mm (paper)
The Nova Scotians 2011 composite 6s
Llyn-y-Fan-Fach (2008)
No. 16 of 20, signed & titled
Reduction Linocut on paper
445 x 595 mm (image)
600 x 770 mm (paper)
Llyn-y-Fan Fach (Moonlit) 16 of 20 reduction 1s
The Waipu Highlanders - Chapel (c 1988)
From Macdonald's book The Fifth Wind
No. 3 of 50, signed & titled
Linocut
425 x 320 mm (image)
655 x 495 mm (paper)
The Waipu Highlanders - Chapel 3 of 50 signed 1s
The Kauri Forest (c 1988)
From Macdonald's book The Fifth Wind
No. 20 of 50, signed & titled
Linocut
380 x 317 mm (image)
655 x 500 mm (paper)
The Kauri Forest 20 of 50 1s
Coromandel (c 1988)
From Macdonald's book The Fifth Wind
No. 12 of 50, signed & titled
Linocut
378 x 305 mm (image)
640 x 497 mm (paper)
Coromandel 12 of 50 1s
Reassembling the Moa (c 1988)
From Macdonald's book The Fifth Wind
No. 21 of 50, signed & titled
Linocut
350 x 275 mm (image)
660 x 500 mm (paper)
Reassembling the Moa 21 of 50 1s
Beyond the Puniu variations (c 1988)
From Macdonald's book The Fifth Wind
No. 1 of 10, signed & titled
Linocut on paper
505 x 345 mm (image)
645 x 480 mm (paper)
Beyond the Puniu Variations 1 of 10 C 1988 1s
Waitangi (c 1988)
From Macdonald's book The Fifth Wind
No. 6 of 50, signed & titled
Linocut
380 x 318 mm (image)
705 x 540 mm (matted)
Waitangi 6 of 50 matted 1s
Northland Coast (c 1988)
From Macdonald's book The Fifth Wind
No. 10 of 50, signed & titled
Linocut
377 x 307 mm (image)
655 x 500 mm (paper)
Northland Coast 10 of 50 1s
My New Found Land John Donne (2004)
From Macdonald's book on John Donne
romantic poetry
No. 13 of 20, signed & titled
Woodcut
245 x 160 mm (image)
454 x 350 mm (framed)
My New Found Land 13 of 20 signed framed 2s
Forbidding Mourning John Donne (2004)
From Macdonald's book on John Donne
romantic poetry
No. 10 of 20, signed & titled
Woodcut
245 x 160 mm (image)
454 x 350 mm (framed)
Forbidding Mourning 10 0f 20 signed framed 4s
A Falling Star John Donne (2004)
From Macdonald's book on John Donne
romantic poetry
Woodcut, signed & titled
173 x 177 mm (image)
454 x 350 mm (framed)
A Falling Star 11 of 20 signed framed 173x177 3s
The Death of Manu Rau (2010)
Unique, signed & titled
Linocut
600 x 440 mm (image)
765 x 570 mm (paper)
The Death of Manu Rau Unique Linocut 2s
Manu Rau (2010)
Unique, signed & titled
600 x 440 mm (image)
765 x 575 mm (paper)
Manu Rau linocut 765 x 575 4s
The Print Workshop
No. 6 of 20, signed & titled
Linocut, matted
230 x 470 mm (image)
480 x 680 mm (matted)
Printmaker 3s

Robert Macdonald Linocuts & Woodcuts

See also Robert Macdonald Acrylics, Watercolours and Etchings

Robert Macdonald BIO – Born in 1935 in Spilsby, Lincolnshire, the bombing of Macdonald’s home during the war led to his family emigrating to New Zealand in 1945, settling in Ruawai (Kaipara Harbour), a mixed community of Maori and Pakeha.

With art studies out of reach, Macdonald trained as a reporter, before undertaking a period of service with the NZ army. He worked as a journalist at the New Zealand Herald until 1958, when he took a boat to Sydney, and then an Italian immigrant ship to Naples. Making his way to London, he visited the art schools, being accepted at the Central where he met John Drawbridge. Macdonald had early success in 1960 when one of his etchings was selected for a prestigious exhibition of 25 printmakers.

During the 1960’s, as finances dictated, he worked in Fleet St as a Commonwealth Correspondent. Continuing to paint in his spare time, six of his large Maori portraits were exhibited in New Zealand House, London in 1972. As Chief Diplomatic Correspondent In the 1970’s, he travelled widely with Britain’s Foreign Secretaries. He gave up this work in 1976 for postgraduate studies at the Royal College of Art. After three years there, he returned to the Central to take an advanced printmaking course.

With strong links to New Zealand, and empathy for the losses of the Maori, he accepted an invitation from Robert Mahuta (nephew of the Maori Queen) to take part in the Hikoi in 1984, helping to present Treaty demands to Parliament, and documenting their struggles in his book The Fifth Wind, which was illustrated with his own linocuts.

He has since become a well-known artist in Wales and has been chair of the Welsh Group (the senior association of professional artists in Wales), is currently president of the Royal Watercolour Society of Wales and a director of the Swansea Printmaking Workshop. He is author of the much-praised book The Fifth Wind (1989).

His prints have been exhibited widely in the UK and internationally in Brussels, Holland, USA, Germany, Pakistan and New Zealand, and are held in the Victoria & Albert Museum, London among other public collections. His Welsh watercolours have won many awards. In 2014 he became the first elected president of the Royal Watercolour Society of Wales and is a director of the Swansea Printmaking Workshop.