Christine Hellyar - DRAWINGS

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Finding Ferns in the Forest I (2018)
Dye and crayon
495 x 730mm
(detail - left, full image - right)
Finding Ferns in the Forest I 2018 495 x 730 W
Finding Ferns in the Forest IX (2018)
Dye and crayon
495 x 730mm
(detail - left, full image - right)
Finding Ferns in the Forest IX 2018 495 x 730 W
Rangiora and Cork (2021)
Dye and crayon on paper
495 x 730mm
(detail - left, full image - right)
Rangiora & Cork Tree 2021 dye & crayon 495 x 730 W
Rangiora and Convulvulous (2021)
Dye and crayon on paper
495 x 730mm
(detail - left, full image - right)
Rangiora & Convulvulous 2021 dye & crayon 495 x 730 W
Rangiora and Ferns (2021)
Dye and crayon on paper
730 x 495mm
(detail - left, full image - right)
Rangiora & Ferns 2021 dye & crayon 730 x 495 W
Rangiora and Fragrant Fern I (2021)
Dye and crayon on paper
730 x 495mm
(detail - left, full image - right)
Rangiora & Fragrant Fern 1 2021 dye & crayon 730 x 495 W
Rangiora and Fragrant Fern II (2021)
Dye and crayon on paper
730 x 495mm
(detail - left, full image - right)
Rangiora & Fragrant Fern 1I 2021 dye & crayon 730 x 495 W
Farms #2 (2018) Watercolour on paper
275 x 320 mm (framed)
Farm 2 WC
Farms #5 (2018)
Watercolour on paper
275 x 320 mm (framed)

SOLD
Farm 5 WC
Farms #6 (2018) Watercolour on paper
275 x 320 mm (framed)
Farm 6 WC
Farms #12 (2018) Watercolour on paper
275 x 320 mm (framed)
Farm 12 WC
Farms #14 (2018) Watercolour on paper
275 x 320 mm (framed)
Farm 14 WC
In Praise of Nikau - Tutu (2016)
Crayon & dye on paper, signed
560 x 377 mm (paper)
(detail - left, full image - right)
200714 CH Nikau - Tutu unframed
In Praise of Nikau - Karaka (2016)
Crayon & dye on paper, signed
560 x 377 mm (paper)
(detail - left, full image - right)
200714 CH Nikau - Karaka unframed
In Praise of Nikau - Karamea (2016)
Crayon & dye on paper, signed
560 x 377 mm (paper)
612 x 435 mm (framed)
(detail - left, full image - right)
200714 CH Nikau - Karamea
In Praise of Nikau - Harakeke (2016)
Crayon & dye on paper, signed
560 x 377 mm (paper)
612 x 435 mm (framed)
(detail - left, full image - right)
200714 CH Nikau - Harakeke
Alpine Mount Taranaki 2 (2003)
Crayon & dye on paper, signed
500 x 695 mm (paper)
(detail - left, full image - right)
200723 CH Alpine 2 unframed
Alpine Mount Taranaki 1 (2003)
Crayon & dye on paper, signed
500 x 695 mm (paper)
557 x 775 mm (framed)
(detail - left, full image - right)
200723 CH Alpine 1 unframed
Alpine Mount Taranaki 3 (2003)
Crayon & dye on paper, signed
500 x 695 mm (paper)
557 x 775 mm (framed)
(detail - left, full image - right)
200723 CH Alpine 3 framed
Plant Collections 3 (2003)
Crayon & dye on paper, signed
695 x 500 mm (paper)
775 x 557 mm (framed)
(detail - left, full image - right)
200723 CH Plant Collections 3 framed
My Blood Sweat & Tears
(series of drawings - 1977-2017)
225 x 280 mm (each)
Acrylic, ink & white out on paper
200909 My Blood Sweat & Tears - Drawings
New Old Clubs
Acrylic, ink & white-out on paper
225 x 280 mm
200909 My Blood Sweat & Tears - New Old Clubs

Christine Hellyar was born in New Plymouth in 1947. She completed a Diploma in Fine Arts (Hons) at the Elam School of Art in 1970. Exhibiting consistently in New Zealand and internationally since then, Hellyar’s work has been included in many major exhibitions and is also held in most New Zealand public collections.

Always inspired by the beaches and bush around her home town, Hellyar won a Department of Conservation residency in 2003. She spent six weeks living in a hut on Mount Taranaki drawing and creating sculptures. Her focus was on the differing vegetation in the various micro-climates on the mountain, particularly the high and low parts where she felt totally encased in bush. Hellyar saw her Alpine Mt Taranaki drawings as a walk – “walking, and the lovely things that happen along the sides as you walk, are an important part of being up the mountain”.

Also included in the show are selected drawings from other Hellyar series. Plant Collections (2003) emphasises that rather than picking plants, she collects them by drawing them. In Praise of Nikau (2016) was as a celebration of the Nikau Track and her favourite palm. The Flood drawings (2005) were “a way of bringing the biblical to Piha – I know the tracks and streams out there and enjoy the extra water heavy storms bring. It’s also a way of bringing light that is not linear into the forest.”

“Drawing is lovely but you can’t just draw – it has to go somewhere else – it has to be more meaningful – it has to take on another life beyond drawing. I like crayon and dye and use a lot of each – it’s partly playing with materials and with ideas that you think are uniquely yours, and trying to say something that you can’t actually say in sculpture. You can’t say everything that’s in your head in one particular medium or one particular art discipline.”

Hellyar’s drawings on display in this show are both unique and evocative.