John Drawbridge - Drawings

+64 021.453.418:: thelab@fe29.com

Reclining Woman with Bottles (1956)
Pencil on paper, signed
655 x 820 mm (framed)
(believed to be the earliest example
of John's life-long interest in this style)
Reclining Woman with Bottles 1956 480 x 640 640 x 807 s
Carrington (1949)
Titled pencil on paper
735 x 555 mm (framed)
(believed to have been completed when
John was visiting fellow artist Theo Schoom
- an orderly at Carrington at the time)
Carrington 1949 735 x 555mm s
Portloe, Cornwell (c late 50's)
Ink on paper
525 x 582 mm (framed)
Portloe Cornwall 1950
Veryan Parish Church (c 1960)
Ink on paper (with title)
380 x 550 mm (framed)
Veryan Parish Church 1950
Market Place
late 50's, early 60's
Ink drawing on paper
480 x 510 mm
Market Place 1950

While his sons remember Drawbridge spending a lot of time drawing, they found very few of his drawings amongst their father’s collection. The drawings shown above are the last remaining works still available for sale from the estate collection. They include a 1949 life study (titled ‘Carrington’), which is believed to have been completed while Drawbridge was visiting fellow artist, Theo Schoon (who was working as an orderly at Carrington hospital at the time).

 Another early work ‘Reclining Woman with Bottles’ (1956) is the earliest work the family have found that is in the style in which Drawbridge had a life-long interest. The remaining 4 drawings were likely completed while Drawbridge was in England on Queen England II Arts Council grant. Drawbridge taught drawing while in England. 
Fe29 Gallery also has collections  of Drawbridge OilsWatercolours and PastelsMezzotints and Etchings and a Mixed Media work with Perspex and Light. 
“John Drawbridge was not just a wonderful artist, he was a creative being who transcended into this world for a brief moment in time. He created a body of work that will be admired by the generations that follow him in the pursuit of creative and artistic expression.” Tony Drawbridge, June 2008, page 11, John Drawbridge.

John was a brilliant and diverse visual artist. He began his career as a textile designer, and in a career spanning over fifty years he created a challenging, exciting and varied body of work. Oil and watercolour painter, printmaker, muralist and stained glass artist, he possessed the mind and soul of an artist and the hands of a craftsman.

One of New Zealand’s leading and most accomplished artists, he was awarded an MBE in 1978. John’s work is held in some of the world’s most celebrated collections, amongst them the British Museum and the Victoria and Albert Museum, London, and in New Zealand in institutions such as Te Papa Tongarewa (Museum of New Zealand), the Auckland City Art Gallery and the Christchurch Public Art Gallery.

His public works in New Zealand include the 40m long Beehive mural in the Banquet Hall, Parliament; the Expo ‘70 mural for Osaka, Japan; the New Zealand House, London, mural; and the stained glass windows, including the Stations of the Cross in the Home of Compassion Chapel, Island Bay, Wellington.