John Drawbridge - Watercolours & Drawings

+64 021.453.418:: thelab@fe29.com

Blue Lake, St Bathans (1951)
Watercolour on paper, signed
555 x 735 mm (framed)
(completed when John was a
3rd year art student in Dunedin)
(full image on right, detail on left)
Behind Omakau signed 3s
Large Wave (1992), signed
Watercolour & pastel over mezzotint
(created as a design for a Dilana rug
for the British High Commission) (full image on right, detail on left)
Large Wave s
Reclining Woman with Bottles (1956)
Pencil on paper, signed
655 x 820 mm (framed)
(believed to be the earliest example
of John's life-long interest in this style)
(full image on right, detail on left)
Reclining Woman with Bottles 1956 480 x 640 640 x 807 s
Carrington (1949)
Pencil on paper, titled
735 x 555 mm (framed)
(believed to have been completed when
John was visiting fellow artist Theo Schoom
(full image on right, detail on left)
Carrington 1949 735 x 555mm (framed)
Portloe, Cornwell (c late 50's)
Ink on paper, titled & dated
525 x 582 mm (framed)
(full image on right, detail on left)
Portloe Cornwall 1950
Veryan Parish Church (c 1960)
Ink on paper (with title)
380 x 550 mm (framed)
(full image on right, detail on left)
Market Place 1950
Market Place
late 50's, early 60's
Ink drawing on paper
480 x 510 mm
(full image on right, detail on left)
Veryan Parish Church 1950

Fe29 Gallery has a collection of John Drawbridge watercolours and drawings on paper from 1951 – 2003.  The gallery also has a collection of Drawbridge   Oils and Prints.

Working in a variety of media, notably intaglio prints, oils, watercolours and large murals, over a 60-year career, John Drawbridge developed an abstract art which encapsulated elements of New Zealand land- and seascape. His work attracted international recognition, while informing the reception of Modernism in New Zealand, and of New Zealand art overseas.

His approach to life was inquisitive and exploratory in nature and his art was no different. Through one path of investigation he wished to challenge one’s levels of perception taking part in movements like Op Art, Pop Art and Abstract Expressionism, while simultaneously delving into art history, either to pay homage to, or to glean information from, masters like Rembrandt and Piero Della Francesca or from more recent ground breakers like Malevich or Matisse.

At a time when printmaking as a skill was at a low ebb, Drawbridge was introduced to mezzotint by Merlyn Evans and developed his skills in Paris with Stanley William Hayter and Johnny Friedlander, where he frequented Lacourière’s workshop watching the printing of Picasso, Braque and Chagall.

Drawbridge created some of this county’s most spectacular public art works, notably the 42 x 4.8 m Beehive mural (Banquet Hall, Parliament), the 9 x 4 m Expo ’70 mural for the NZ Pavilion in Osaka, Japan (now held by Auckland University), the 20m long mural painted for NZ House in London (now hanging in the Victoria University campus) and the stained glass windows and Stations of the Cross in the Home of Compassion, Wellington.

He was awarded an MBE in 1978, an Honorary Doctorate of Literature from Massey University in 2002, and was posthumously inducted into the Massey University Hall of fame in 2009. Drawbridge started as a textile designer, moved to prints, then oils, watercolours and multimedia, but all were informed by his characteristic feeling for light and texture.